2/17/2023 0 Comments Pitchfork hounds of love![]() ![]() And, Pitchfork haven’t reviewed this album but I reckon it will rate it pretty high. Hounds of Love proved that there were no compositional mountains Kate Bush couldn’t climb. Channelling the alt-country style of Belinda Carlisle, overlaid with a bucket load of dope indie aesthetic, this song is a compelling and cool listen. The album’s most accessible and fun song is Rimbaud Eyes. Title track and album highlight Too True reeks of the heady goth rock days of the ‘80s where light and dark existed simultaneously. Okay, so getting back to the fact this album is fucking incredible and letting go of a half-baked conspiracy theory. In a similar way to Twin Shadow’s song Five Seconds from his 2012 sophomore album Confess, Dum Dum Girls’ opening song Cult Of Love evokes the images of trendily dressed art-school students in fishnet stockings awkwardly yet gracefully dancing around figuration libre inspired artworks. pitchfork: Hounds of Love proved there were no compositional mountains Bush couldn’t climb. Not just in the ‘80s-come-post-dubstep production value but also the fact both artists debuts were lauded by Pitchfork – but it also cast dispersions upon the two acts’ future sound. ![]() ![]() However, the similarities to fellow New Yorker trend-setter and Pitchfork lovechild Twin Shadow is uncanny. B., Hounds of Love, review, Pitchfork, 12 June 2016, /reviews/albums/21964-hounds-of-love/ Waters, D., Aerial, review, BBC News online. That is not to say that Too True is not, so far, one of the best releases of 2014 with its crisp and driving beats, chirpy keys, post-mariachi guitars and Dee Dee Penny’s perfectly pitched vocals. The Futureheads Live at Pitchfork - Hounds of Love 1 13,886 views 7 Dislike Share Save NiceDream285 2 subscribers Subscribe Short clip of the futureheads preforming Hounds of Love at. Well, listening to Dum Dum Girls’ third LP, Too True, one can’t help but suspect that the same phenomenon exists in New York but in relation to online music site Pitchfork. Of late, A lot has been made in this country about bands tweaking their musical output to fit into a ‘triple j’ sound. Hounds of Love proved there were no compositional mountains Bush couldn’t climb.Barry Walters on Kate Bush’s iconic self-produced fifth album The essential guide to independent music and beyond. ![]()
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